
In a Violent Nature (2024)
Overhyped garbage.

Overhyped garbage.
It’s alright, but it’s also forgettable, and that’s the fatal cut.
A rushed, low-budget sequel that’s best left in the puzzle box.
Psychomancy and creepy mannequin, but minus the annoying Blumhouse clichés.
An unexpected surprise, with mediocre charm, early-2000s tech nostalgia, and a dash of Superman.
A Weinstein cash grab masquerading as Hellraiser. Boring, un-scary, and light on Pinhead.
Here is where behind-the-scenes drama outshines on-screen horror: a franchise’s death knell.
Barred from the project, Clive Barker’s vision is replaced by untalented hacks looking to cash in.
Space, time, and studio execs collide in a demonic jigsaw puzzle. Pinhead’s here, but coherence isn’t.
Pinhead trades existential dread for cheesy one-liners and viewers trade 97 minutes of their lives for a nap. A true hell on earth.