The Wild Child by Mary Jo Putney
Oh, the adorable hero. Yucks, the heroine.
Category:3 Oogies
Renegade Heart by Amy J Fetzer
The pirate hero’s name is actually Raiden. No, really!
The Trickster by Kathleen Nance
The secondary characters save this one. The main characters can be quite dull.
Tears of the Moon by Nora Roberts
Need more romance. And magic.
McClairen’s Isle: The Ravishing One by Connie Brockway
Fia faces a dire fate in this one: she is made conventional.
Conquest of the Heart by Marilyn Grall
Holy castle, I think the author has stuffed nearly every medieval romance trope in here!
In Name Only by Janet Bieber
The author knows all her tropes very well, but the end result is more sleepy than exciting.
Merely Magic by Patricia Rice
There’s magic, but it can’t prevent the lead characters from being big babies.
Once a Wolf by Susan Krinard
The heroine is too good for the hero.
Sweet Talking Man by Betina Krahn
Why does a suffragist romance tend to portray those women as idiots? Is this some kind of subversive propaganda?