Tears of the Moon by Nora Roberts
Need more romance. And magic.
Need more romance. And magic.
Fia faces a dire fate in this one: she is made conventional.
Holy castle, I think the author has stuffed nearly every medieval romance trope in here!
The author knows all her tropes very well, but the end result is more sleepy than exciting.
There’s magic, but it can’t prevent the lead characters from being big babies.
The heroine is too good for the hero.
Why does a suffragist romance tend to portray those women as idiots? Is this some kind of subversive propaganda?
No matter how spy-like she can be, you can’t take the inconvenient morality out of the heroine.
It’s just like the previous book, hmm.
This one is built on the strength of two remarkable stories. The rest are pretty average to awful.